Julia Lisella
After Carrie Mae Weems' Photograph The Edge of Time
I have stood before
the body of my mother,
the body of my father
each time I have reached out
fearless of their dead bodies
I have disturbed the contours
of observation
to touch them
did the air shimmer then, the sky gray a little?
did their bodies transpose as our skins met?
the warm of my living skin,
their cool crepe folded hands?
In the photograph a woman
looks out across a desert town
or down into the eyes of the canyon
the shifting clay of its walls
or out at an ancient living village
the cool white stone of its buildings
but I have never stood at such edges
in a black dress
my hair pinned
my arms at my side
either in arrogance
or beseechment
or praise
I think of their bodies so often
yes, alive, but even
in their chemical preservation
rouged and dressed for a wedding
and still I wish
to be standing there before them
to see, to memorize them
Back to Issue XIII…
Julia Lisella’s latest collection of poems, Our Lively Kingdom (Bordighera Press), was named a finalist in the 2023 Paterson Book Prize and Grand Prize Finalist and Poetry Honorable Mention for the Eric Hoffer Book Award. Her other collections include Always, Terrain, and the chapbook Love Song Hiroshima. Her poems have appeared in Ploughshares, Alaska Quarterly, The Common, Nimrod, Pangyrus, and many others. She has received writing residencies at MacDowell, Millay, and the Vermont Center for the Arts. She teaches at Regis College and co-curates the Italian-American Writers Association Literary Reading Series in Boston. For more, see www.julialisellapoetry.com.