Shane Seely
Worm Moon
“I don’t want the worm moon,”
says my March-born daughter,
who loved but loves no longer
their mucused, writhing bodies,
their otherworldly blunt blind
heads. The days of turning
rocks to count them came
and went, replaced by days
of squealing in the street
at the desiccating carcasses
of the unlucky, flooded
from their tunnels in the last
night’s rain. It’s a time,
I tell her, of awakening, and worms
awake to rain to wake the body
of the ground. It’s a time,
she says, of muck, of fresh
decay, of all the wreckage
winter held. Which of course
it also is.
Edward Drinker Cope Writes his Daughter from the Bone Fields of Montana, 1870
There is no shape knowing takes
that is not bounded on all sides
by not knowing, as the scientist
who searches the dry fields
for the thigh bone of an ancient cow
must spend her bulk of days in blank
hardpack, scraping layer
away from layer, attending
to absence, saying not this,
not this, as the dirt banks
to drifts around her. And when
she finds that bone—shatteringly
delicate, shaped as a piece
of life—she’ll see how small,
against the backdrop of the field,
her knowing is. And she’ll hold tight
to what she knows, that earned
thing, beautiful fruit
of her ambition. Then she’ll pack
the bone away and return
to the field. It’s the dirt,
my dear, the digging
you must love,
if you’re to love your life.
Note: Edward Drinker Cope (1840-1897) was an early paleontologist of the American West. He is credited with discovering and naming nearly a thousand extinct vertebrate species. His daughter, Julia, was born in 1866.
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Shane Seely is the author of three books of poems, most recently The First Echo (LSU, 2019). He teaches in and directs the MFA program at University of Missouri-St. Louis.