Rebecca Foust
Meyer Lemon
April 2021
Round & bright as a sung hymn,
the lemon is tinged orange,
how I know what’s inside will be sweet
as well as tart & that when I lift
my hand to my face (as we are told
never to do) I will smell
that wild sharp tang that tells me
like a shot star I may be dying
but am still alive. It makes a bell
of my body, tolling love & memory
of lilies blooming in ditch water.
I’ve been trying to tell you about this
since you left. The viral curve
continues to climb & the wildfires
to burn. I set up a feeder outside
& now spend hours each day
watching what I call The Bird Movie.
I’ve been trying to tell you
about this & wish I’d written sooner,
while we still lived together.
All those months of silence between us,
looking away from each other
while we both looked away
from the stats & stacked coffins.
Then, all the shouting about politics.
Living without you in our home
feels like creeping death, like losing
my senses one by one. Some days,
making masks, I press down
on the pedal of my old Singer
like it’s the trigger of a machine gun.
I glean scraps from the garden
as if they’re all the food to be had,
or I’m like one of the Trojan women
always preparing funerary meats,
albeit online. Some days in this empty
house, I no longer feel even lonely.
Now, this sensory grenade in my hand.
Swollen & mellow like August
sunlight, pebbled skin that squeaks
& breaks oily, rubbed with my thumb.
This sickle-sharp spray of glittery citrus,
an atomizer aimed at my brain
& igniting small body explosions.
I wish I could share this with you,
& what I’ve learned, that to grieve
the loss of someone you love,
you must leave the body behind,
succumb for a time to being stung numb.
But while that is happening, the world
will go on. Sunlight & rain
will be spun into fruit, & in spring
the air will be spangled with ions
of lemon & longing. I can feel its mist
prick my face. I am watching
our love recede into the distance
between us. But today the wind is warm
& it smells of reasons to live.
Back to Issue XII…
Rebecca Foust’s fourth full-length book, ONLY (Four Way Books, 2022) earned a Publishers Weekly starred review. New poems are in The Common, Hudson Review, POETRY, Ploughshares, and the Southern Review. She won the 2024 James Dickey and Fischer Cantor Prizes, the 2023 New Ohio Review prize, and in recent years, the Pablo Neruda, Poetry International, and James Hearst prizes. Other recognitions include Hedgebrook, MacDowell, and Sewanee fellowships, and the 2017-19 Marin County Poet Laureateship where her “Poetry as Sanctuary” project featured readings by immigrant writers. She works as an associate editor for Narrative Magazine and divides her time between northern Minnesota and northern California.